Coming
A full edit suite, opened in a browser.
A powerful computer with the editing software, beside the film's footage, opened from any laptop and paid for by the hour. Nothing is downloaded, and nothing leaves.
Cut from a drive, or from a suite in the browser.
Editors work on the film's proxies where they are, with nothing copied to a disk that leaves the room. The camera originals never reach the edit.
On the editor's own Mac
The edit opens like a drive.
From the menu bar of the desktop app, the film's proxies appear as a drive, a folder for each shoot day, and the editing software opens them as it opens any drive.
- A key for each person. Each editor reads only the days their role reaches.
- Proxies only. The originals stay in the archive.
Coming The same drive on Windows.
Take someone off the film, and their drive stops.
Within two minutes, the key on their Mac no longer opens anything. Nothing was copied to their disk to stay behind.
The director's notes, in the timeline.
The notes left on dailies go to the cutting room as markers for Avid, Premiere or Resolve, each at its file's own timecode, so the editor sees them where they belong.
- Nothing to keep in step. Each editor works on their own; nobody's drive waits on anyone else's.
- Who edits is the role's. The post supervisor and the editors edit with proxies; the role decides, film by film.
Start with the script.
Keep every frame.
Start your first film
Free until you shoot